As you may already know, sound originates with a vibration that travels
though a medium. Normally, we hear sounds propagating through air and most
microphones are set up to receive this airborne signal.
Sound waves can travel through both solids and liquids as well. If you stick
your head underwater, the water effectively couples with your eardrum to
transfer the water-born vibrations to your inner ear. There's plenty for
your ears to hear underwater because sound waves travel five times further
though water than they do through air.
You may wish to read a tutorial on underwater
acoustics.
Other uses of hydrophones
Hydrophones don't have to be placed underwater. Try placing one in the trunk of a tree visited by woodpeckers. Try burying it in the sand. Hydrophones can also be used for recording in air - particularly infrasound
- when nothing else is available.
Waterproofing an existing microphone
You can experiment with underwater recording by waterproofing a microphone
you already own. One way to waterproof a mic is to seal it inside a deflated
balloon. For greater "sensitivity", try a latex condom
(use an unlubricated
one). Seal the open end around the mic cable, making sure to cover the XLR
connector.
One way to do this is by making rings around the cable with electrical or
duct tape (hint: WD-40
will remove any sticky tape residue). You could also construct a special
use cable with a couple of rubber "O" rings around the mic cable.
Tie the condom tightly to the mic cable in several spots, stretching the
condom over the rings. This method will work well to a reasonable depth
(I've only tried it to 25 feet, the length of the mic cable).
I used a dynamic omnidirectional mic (the Beyer
M58, to be exact, but any microphone will do). I have not tried this
technique with electret or condenser microphones, only because I did not
wish to risk an expensive mic in salt water.
You could also waterproof a microphone by dipping it in "Plasti
Dip," a rubber epoxy used to rubberize handles on metal tools. The coating
is flexible enough to transmit sound vibrations. The coating is water proof,
but hard to remove.
The main disadvantage of the waterproofing techniques is the inefficient
acoustic coupling of the mic element to the water. Your recordings might
seem a little muffled. You may want to use a hydrophone, which is a specially
designed microphone that transduces sounds propagating underwater.
Constructing a hydrophone
Typically, a hydrophone contains a piezo electric element, a preamp, and
housing.
Take the piezo element out of its case and solder the leads to a cable.
Waterproof this contact
mic with "Plasti
Dip."
Piezo elements can be found at Radio
Shack, Mouser Electronics,
or All Electronics.
Edmunds Scientific
may also have hydrophone elements for sale.
You could also attach (and waterproof) a commercial contact mic, such as
the C-ducer,
to a thin plate.
For more complex construction plans, Loughborough
University has published plans for a homemade hydrophone
and an associated preamp.
Commercially available hydrophones
Here are some lists of commercially available hydrophones with lots of technical
information:
http://members.aol.com/jblue46498/hydrphns.htm
http://www.dal.ca/~whitelab/marmam/hp.htm
DPA microphones
make a high end hydrophone.
Robb Nichols's PH1
hydrophone offers great value for the money.
You may also want to contact :
Offshore Acoustics
5454 Indian River Drive
North Vancouver, British Columbia
Canada V7G IL3
Phone: (604) 929 0440
Fax: (604) 929 0440
Email: jkford@interchange.ubc.ca
(website under
construction)
Cost is about $350 USD.
Cetacean Research
has tools geared toward whale research and many mp3s.
Links
If you are interested in designing a preamp for your hydrophone, look at
the Analog
Devices AD797, a low noise op amp for sonar applications.
The National Academy of Sciences has a section about Sound
in the Ocean on their site.
Keep the Oceans Quiet! - Fight
the US Navy's use of LFA sonar!